And now.. a personal note from the quiet fella' behind the scene here. Tis' a sad day herewith that I have to relate of tragoedia: the burner is dead. You see, I have an old Fostex rackmount and it has gasped it's last. Hence, you guessed.. yup.

Mystere

One friend may pass me a thing or two to post (as you can probably tell, I don't get much help around here, ahem..). I had lots of great Out of Print LP's on deck. At some point, I'll rummage around and see what I may have on cdiscs that is unavail.

And now.. a personal note from the quiet fella' behind the scene here. Tis' a sad day herewith that I have to relate of tragoedia: the burner is dead. You see, I have an old Fostex rackmount and it has gasped it's last. Hence, you guessed.. yup.

Mystere

One friend may pass me a thing or two to post (as you can probably tell, I don't get much help around here, ahem..). I had lots of great Out of Print LP's on deck. At some point, I'll rummage around and see what I may have on cdiscs that is unavail.

And now.. a personal note from the quiet fella' behind the scene here. Tis' a sad day herewith that I have to relate of tragoedia: the burner is dead. You see, I have an old Fostex rackmount and it has gasped it's last. Hence, you guessed.. yup.

Mystere

One friend may pass me a thing or two to post (as you can probably tell, I don't get much help around here, ahem..). I had lots of great Out of Print LP's on deck. At some point, I'll rummage around and see what I may have on cdiscs that is unavail.

And now.. a personal note from the quiet fella' behind the scene here. Tis' a sad day herewith that I have to relate of tragoedia: the burner is dead. You see, I have an old Fostex rackmount and it has gasped it's last. Hence, you guessed.. yup.

Mystere

One friend may pass me a thing or two to post (as you can probably tell, I don't get much help around here, ahem..). I had lots of great Out of Print LP's on deck. At some point, I'll rummage around and see what I may have on cdiscs that is unavail.

And now.. a personal note from the quiet fella' behind the scene here. Tis' a sad day herewith that I have to relate of tragoedia: the burner is dead. You see, I have an old Fostex rackmount and it has gasped it's last. Hence, you guessed.. yup.

Mystere

One friend may pass me a thing or two to post (as you can probably tell, I don't get much help around here, ahem..). I had lots of great Out of Print LP's on deck. At some point, I'll rummage around and see what I may have on cdiscs that is unavail.

And now.. a personal note from the quiet fella' behind the scene here. Tis' a sad day herewith that I have to relate of tragoedia: the burner is dead. You see, I have an old Fostex rackmount and it has gasped it's last. Hence, you guessed.. yup.

Mystere

One friend may pass me a thing or two to post (as you can probably tell, I don't get much help around here, ahem..). I had lots of great Out of Print LP's on deck. At some point, I'll rummage around and see what I may have on cdiscs that is unavail.

STREAMING THE FM SHADES LIBRARY TO THE WORLD. 24hrs a DAY!
A Random Mix of PSYCH, AVANT, POST-PUNK, ACID FOLK, OUTSIDERS!!

http://www.justin.tv/fmshades

Watch live video from FM SHADES PSYCH cult EXPERIMENTAL on Justin.tv

STREAMING THE FM SHADES LIBRARY TO THE WORLD. 24hrs a DAY!
A Random Mix of PSYCH, AVANT, POST-PUNK, ACID FOLK, OUTSIDERS!!

http://www.justin.tv/fmshades

Watch live video from FM SHADES PSYCH cult EXPERIMENTAL on Justin.tv

ANDY PARTRIDGE ANNIE WHITEHEAD ART ENSEMBLE OF CHICAGO BACK DOOR BITCHES BREW BLODWYN PIG BRAND X BRIAN AUGER BRIAN ENO CAN CARAVAN CATASTO ELETTRICO CHARLEMAGNE PALESTINE COLOSSEUM CROSBY STILLS NASH DON CHERRY DONALD FAGEN DOORS EAST OF EDEN EMBRYO FRANK ZAPPA GARY BURTON GATO BARBIERI GENESIS GENTLE GIANT GIUFFRE BLEY SWALLOW GONG HATFIELD + THE NORTH HENRY COW HERBIE HANCOCK HUGH HOPPER IF JEAN-LUC PONTY JETHRO TULL JOE ZAWINUL JOHN MARTYN JOHN SURMAN JULIAN PRIESTER JULIE DRISCOLL KEITH JARRETT KING CRIMSON MAHAVISHNU ORCHESTRA MARK-ALMOND MATCHING MOLE MICHAEL GIBBS MILES DAVIS NATIONAL HEALTH NIEMEN NUCLEUS OREGON OZRIC TENTACLES PASSPORT PETER HAMMILL PINK FLOYD POPOL VUH PORK PIE RALPH TOWNER ROBERT FRIPP ROBERT WYATT SBB SENSATIONS' FIX SLAPP HAPPY SOFT MACHINE STEVE HILLAGE STEVE WINWOOD STOMU YAMASH'TA SUPERSISTER SURMAN BRUCE HISEMAN TANGERINE DREAM TERRY RILEY TONY WILLIAMS LIFETIME TRAFFIC VAN DER GRAAF GENERATOR VOLKER KRIEGEL WEATHER REPORT XTC and more to come...

Remember to look at the preview editions frequently posted HERE .
© Free Rare Mp3 Music Downloads

Musikproduktion Schwarzwald ceased existence as an independent entity in the 1980s. It's now owned by the Universal label, and many of its albums and compilations have been reissued in Europe, the US, and Japan under various licensing arrangements.

Today Promising Music is reissuing albums from the MPS catalog in extremely well-conceived CD format. They've put out individual albums in really nice packaging and multi-CD anthlogies collecting many albums by a single artist.

Think how good your scratchy rips would sound and feel with actual CDs. Go ahead, spend some money.

PROMISING MUSIC
available at DUSTYGROOVE

STREAMING THE FM SHADES LIBRARY TO THE WORLD. 24hrs a DAY!
A Random Mix of PSYCH, AVANT, POST-PUNK, ACID FOLK, OUTSIDERS!!

http://www.justin.tv/fmshades

Watch live video from FM SHADES PSYCH cult EXPERIMENTAL on Justin.tv

Nuevo chat del blog, mas sencillo...ingresen desde aqui:


http://www.chatmaker.net/chatap/rooms/entreamimente/

...mp3-320kbps................................................................................................................................Password:zinhof...... KRAFTWERK - The Catalogue (2009) Kraftwerk ("power plant" or "power station") is a highly influential electronic music band from Dsseldorf, Germany. The signature Kraftwerk sound combines driving, repetitive rhythms with catchy melodies, mainly following a Western classical style of harmony, with a minimalistic and strictly electronic instrumentation. The group's simplified lyrics are at times sung through a vocoder or generated by computer-speech software. In the early to late 1970s and the early 1980s, Kraftwerk's distinctive sound was revolutionary, and it has had a lasting impact across many genres of modern popular music. The Catalogue (German title: Der Katalog) is a boxed set comprising eight albums by Kraftwerk that were released from 1974 to 2003. All albums are digitally remastered, with most of the cover art redesigned, including rare photographs in the liner notes that were not part of each album's original release. The albums included in the boxed set are the following: 01 - Autobahn (1974) 02 - Radio-Activity - (German title: Radio-Aktivitt) (1975) 03 - Trans-Europe Express - (German title: Trans-Europa Express) (1977) 04 - The Man-Machine - (German title: Die Mensch-Maschine) (1978) 05 - Computer World - (German title: Computerwelt) (1981) 06 - Electric Caf (1986) - (here given its original name of Techno Pop) 07 - The Mix (1991) 08 - Tour de France Soundtracks (2003) - (now titled Tour de France) UPLOAD IN PROGRESS

PARASITES - SALA MATISSE (2009)

“

But as good as Rose's lyrics and screeching vocals are, they wouldn't be nearly as effective without the twin-guitar interplay of Slash and Izzy Stradlin, who spit out riffs and solos better than any band since the Rolling Stones, and that's what makes Appetite for Destruction the best metal record of the late '80s.

”

Ray Daytona And Googoobombos are known in Italy as a cult band for their high energy gigs and surf garage records... check them out ! Ray Daytona and Googoobombos are known in Italy as a real cult band, their sound being a hyper-cybernetic mixture of melodic surf garge tunes played live at an insane speed with punk rock attitude and good technical skill. Since the very beginning they delight their audience with their gigs, melting together high energy and a strong sound impact. The band has played both in Italy and abroad, opening for such bands as Misfits, Sonic Youth, The Libertines, Franz Ferdinand, Radio Birdman, Satanic Surfers, and sharing the stage with Nashville Pussy, Billy Childish and Thee Headcoats, Robert Gordon, Phantom Surfers, Link Protrudi and The Jaymen, Demons, The Squirtgun. They’ve published four albums and a bunch of 7”. Their first full-lenght album, A Wild Shot Of... (1999), is an ideal tribute to the obscure Sixties’ garage, and as the title suggests, to Henry Mancini and Sixties’ soundtracks. Afterwards they meet and become friends with Winston Smith, the american artist, who has worked for magazines like The New Yorker, Playboy, and with bands such as Dead Kennedys, Green Day, No Means No, Ben Harper. He becomes their steady partner, creating the cover for their second a and third album. Space Age Traffic Jam (2001) and Fasten Seat Belt (2004) mark their turn towards a much more tough and personal sound, supported by the musical production of David Lenci, live sound ingeneer for Uzeda, Man or Astroman, Shellac and co-worker with Steve Albini... trax:
01 Scrambler 02 Texas Saucer Contact 03 Thunder Ass 04 6K6 05 2 is Better Than 1 06 Daytona Demolition Derby 07 Arizona Strip 08 Bikini Barhaus 09 Eggs & Bones 10 Monster Stomp 11 Nothing to Lose 12 Big George 13 Spider in my Head 14 Weird on the Moon 15 Corasoda Dry
...originally served by skampus...

Begona Olavide & Murder - Cartas Al Rey Moro


1. Apiádate de mi pequeño corazón - Take pity on my little heart

In order to trace the evolution of the arábigo-andaluz music (music from Muslim Spain) after the Reconquest, we need to look toward the Maghrib. The main figure of this repertoire is al-Ha'ik, who lived in Tetuan in the 18th century. In his work, Kunnas (Songbook) are collected the poems that formed the base of the nubas (seven hundred and twenty-one poems). which he catalogued in eleven large families that have come to be the eleven nubas of present times. Al-Ha'ik did not transcribe the music, but indicated which out of 24 possible modalities was required, giving a principal and a secondary mode for each one of the nubas. he also annotated the rhythmic formulas that constitute the framework of the different movements of the eleven nubas that are preserved.

Musical transcription with occidental annotation of the repertoire has, since 1930, allowed for a greater understanding of the mechanisms of the arabigo-andaluz musical legacy, but it has never been a substitute for oral transmission, as this music is filled with adornments and turns that are impossible to annotate. Apiádate de mi pequeño corazón is a sana (song) that belongs to the btaihi rhythm (a cycle of 8 beats, subdivided in 3-3-2) of the nuba al-ussaq (the beloved), the eleventh in the order of al-Ha'ik, based on a G major diatonic scale. It has been transcribed by Abdelkrim Rais and Mohamed Briouel.



2. De Antequera partió el moro - The Moor took leave of Antequera

Is a frontier ballad which narrates the fall of Antequera on the 28th of September. 1410.
It was famous because of the importance of the city, the fact that the governor (Alkarmen) held out for 5 months. and because of the size of the Moorish King's (Usuf III) army. Some 100 kilometers from Granada. Antequera was a key strongpoint within the Nasrid kingdom. It was called Singylia by Romans and renamed Antequera ( The Victorious. The Grandiose) by the Arabs. Don Fernando, infante of Castille and at that time regent for his nephew Juan II, was the victor in this battle and was thereafter called "Don Fernando el de Antequera".

The lively sentiment expressed in this ballad indicates that it was probably written immediately after the events it describes, although it is true that the texts to which we have access have been revised and rewritten and sometimes have an incoherent and even propagandistic ending. However that may be. the song begins:


Menéndez Pidal explains two characteristics of these early ballads: an introduction with no preamble, which places us in the middle of the action, and an ending which cuts the narrative short at its most intense moment.

Little is known of the music to which this ballad was set. In1554. nearly 140 years after the fall of the Antequera, Miguel de Fuenllana published in Sevilla the "Libro de musica para vihuela intitulado Orphenica Lyra". in which he included one and a half verses of a wonderful untitled piece, and advised: Siguense los dos tonos de romances viejos compuestos a quatro. Y esta primero es de Morales (follow the two tonos of the early ballads composed for four voices. The first is by Morales.) The text of the song begins:


Fuenllana took this work from Cristobal Morales who lived a generation before him and who, like him, was a blind musician from Seville. But nothing by "el divino Morales", as he was called in his times. has reached us, which causes us to suppose that Fuenllana took the melody and the text from the oral tradition and developed it with a polyphony characteristic of the 16th century.

The idea of taking a popular song and arranging it according to the tastes of a specific social environment was not new, but it was in this period that printing enabled texts to be circulated. The texts of the ballads began to be written and published in sheets in an attempt to avoid alterations, but the music continued to be passed on orally, as it was easier to remember a melody than a historical text. So the written music that Fuenllana left us is of great importance.


3. Los sospiros no sosiegan

4. ¿Qué me queréis, caballero? - What do you want of me, caballero?

This is an anonymous work from the Cancionero Musical de Palacio (C.M.P.). Francisco Salinas (1577) mentions this carol referring to it as a cantione usitatissima. Another version of it is found amoung the works of Fernandez de Heredia (Valencia, 1562).

5. La España - The Spain

Is the work called Tres III "Sobre el canto llano de la Alta", signed by Antonio in el "Libro de cifra nueva para tecla, arpa y vihuela" that Luis Venegas de Henestroa published in Alcalá de Henares in 1557. It consists of 138 pieces by different authors. This is the third piece for three voices. The intermediate or tenor voice has a gregorian melody or canto llano that is called "Alta danza" or "La España". Of unknown origin, it is considered to be the earliest courtly dance of Europe. It is believed that "La España" was first used by Domenico de Piacenza, a dance master from Ferrara, in 1416. The theme was used by a multitude of authors in their compositions throughout the 15th. 16th and 17th centuries, with different names, such as: Spagnoleta, Basse danse du Roy de Spaingne. II Re di Spagna. Calata a la Spagnola. The old Spagnoleta, La bassa Castiglya, Castille la nouvelle, etc.

The blind Antonio de Cabezón (1510-1566), court organist for Carlos V, for the infantas Maria and Juana, and for Felipe V, was a friendly, humble, and simple man who knew how to sing to the glory of God and to entertain men. He created a Spanish school of organ music filled with mysticism and deep human sentiment. Most of his work was compiled and published by his son, Hernando de Cabezón. twelve years after his death.

6. No ay que decirle el primor - Do not praise her splendor

This is preserved in the "Libro de Tonos Humanos", musical manuscript n' 1262, in the National Library of Madrid. this is a book of songs that was compiled by a musician in the first half of the 17th century for the entertainment of a noble. In this period, the term tonos humanos was synonymous with tonadas or profane songs. It is dramatic piece and was sung in the first performance of Cervante's "El rufián dichoso".


7. De la dulce mi enemiga - From my sweet enemy

This is from the same cancionero (C.M.P.) and is signed " Gabriel". Perhaps this is the same Gabriel el Músico named in other cancioneros, who was cantor in the King's Chapel until Fernando el Católico's (King Fernando) death in 1516, at which time he entered the service of Admiral Fadriquez Enríquez. This work appears later in the Cancionero de Enamorados (Lovers Songbook). which was compiled by Juan de Linares and published in 1573. This version is anonymous and has a longer text.

8. Que bonito niño chiquito - What a precious little child

This is an anonymous work from the " Cancionero Musical de la Colombina" (C.M.C.)., which was compiled in about 1490 and contains ninety-five works by different contemporary authors. It is preserved in the Colombina Library of Seville and has been transcribed by Miguel Querol (Barcelona, 1971).




All the instruments used in the recording are copies of original instruments or are Reproductions of the iconography, and all belong to the period we wish to recall.

salterio - Carlos Paniagua, 1992 sobre cancionero de Ajuda (Portugal), s. XIV
qanún - Carlos Paniagua, 1993 sobre el Diwa i Djami, Persia, s. XV
'Ud - Fu'ád Haydar, Damasco 1981
Vihuelas - Lourdes Uncilla, El Escorial
vihuela bajo - Lourdes Uncilla
guitarra - Lourdes Uncilla
guitarra - Carlos Grass, Valencia
vihuela de arco soprano - Francisco Lueñgo, lamino, 1995
vihuelas de arco tenores - Francisco Lueñgo
vihuela de arco bajo - Robert Eyland, Devonshire - Inglaterra, 1988
darbugas - Turquía
tar - Marruecos
bendir - España e India
cajón (marímbula) - de madera

APE tracks (EAC Rip): 230 MB | MP3 - 320 kbs: 130 MB | Booklet Scans

Archives have 5% of the information for restoration

APE
Part 1 | Part 2 | Part 3

OR MP3 320 kbps
Part 1 | Part 2

N ow this is a damn good start of my Sunday morning. A split 7“ from two of my favourite bands, found on a awesome forum, not the WWS forum, but the Ween forum. -What Norman records got to say;
Spacemen 3 have just landed…in a split 7″ with Wooden Shjips! It has one of the best sleeves i've seen for ages and the song's not bad either, it's a meandering sort of affair with an 80s shoegazer feel and otherworldly vocals, it really grows on you, much like an unwanted fungal infection…but waaay more pleasant. It should appeal to stoners everywhere, I feel drugged up just listening to it!

As for the Wooden Ships song, it shares the same psychedelic tendencies as the Spacemen 3 side.. kinda slow paced, chiming guitars, low vocal mix…in fact I almost thought this was a cover of a Spacemen 3 song! It left me feeling as the flip side did…..monged out, with red beady eyes and a desire to go to the 24 hour garage to buy some brand of popular crisp….well done The Great Pop Supplement…you've bonged me out…
Lovingly Taken From; Norman Records

Links;
Spacemen 3 & Wooden Shjips - Big City/I Believe It (split 7")
Spacemen 3 @ MySpace
Wooden Shjips
Natty Brooker
The Great Pop Supplement
Norman Records

---

N ow this is a damn good start of my Sunday morning. A split 7“ from two of my favourite bands, found on a awesome forum, not the WWS forum, but the Ween forum. -What Norman records got to say;
Spacemen 3 have just landed…in a split 7″ with Wooden Shjips! It has one of the best sleeves i've seen for ages and the song's not bad either, it's a meandering sort of affair with an 80s shoegazer feel and otherworldly vocals, it really grows on you, much like an unwanted fungal infection…but waaay more pleasant. It should appeal to stoners everywhere, I feel drugged up just listening to it!

As for the Wooden Ships song, it shares the same psychedelic tendencies as the Spacemen 3 side.. kinda slow paced, chiming guitars, low vocal mix…in fact I almost thought this was a cover of a Spacemen 3 song! It left me feeling as the flip side did…..monged out, with red beady eyes and a desire to go to the 24 hour garage to buy some brand of popular crisp….well done The Great Pop Supplement…you've bonged me out…
Lovingly Taken From; Norman Records

Links;
Spacemen 3 & Wooden Shjips - Big City/I Believe It (split 7")
Spacemen 3 @ MySpace
Wooden Shjips
Natty Brooker
The Great Pop Supplement
Norman Records

---

While the tracks are not bad, by the end they start to sound the same. What Bon Jovi did good in most of his other records is the variety of different tracks throughout the record. In The Circle every song sticks to a classik rocking rhythm, which on it's own is not bad, but the bar has been set and Bon Jovi didn't quite make it.
Genre: Rock Styles: Pop-Rock , 12 songs

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More blog tools found here.

Rev. Gary Davis doing Death Don't Have No Mercy



Rev. Gary Davis @ SqueezeMyLemon

Rev. Gary Davis @ Amazon.com

Album: Bothered All The Time
Style: Delta Blues
Released: 1983
Label: Southern Culture
File: MP3 320 Kbps
Size: 66 MB
Art: Front & back

Tracklist:
1 Going Away Blues Lovey Williams
2 Mojo Hand Blues Lovey Williams
3 How I Learned to Play Guitar Sonny Boy Williams
4 Shotgun Blues Sonny Boy Williams
5 Going Down to the Station Sonny Boy Williams
6 Sitting on Top of the World Louis Dotson
7 A Definition of the Blues Arthur Lee Williams
8 Rosie Parchman Work Gang
9 Bull Cow Blues James "Son" Thomas
10 Blues and Spirituals James "Son" Thomas
11 Juke Joint Reminiscence Lee Kizart
12 Boogie Lee Kizart
13 A Tale of Church Hypocrisy Lee Kizart
14 World in a Jug Lee Kizart
15 There Are Days Southland Hummingbirds
16 The Blues as Consolation Jasper Love
17 Tables Turned on the Bossman Jasper Love
18 The Abuse of Farm Laborers Gussie Tobe
19 Why They Called Colored Folds Bears Gussie Tobe
20 Hidden Violence in Mississippi Anonymous
21 Stack of Dollars Wash Herron, Big Jack Jackson

Bothered All The Time

While going through some boxes of things that we have yet to unpack since we moved to our new house a year and a half ago (yes, we are still not unpacked!), I was pleasantly surprised to find a few CDs labeled "Thanksgiving Stuff". I put those aside in order to upload them and possibly post them here. The problem with these CDs was that the tracks were not labeled in any shape or form. When I popped them into the computer all that came up was "Track 1, Track 2, etc . . . ". I listened to them and found numerous radio shows and a few singles and a slew of about 16 nursery rhymes with lyrics that were changed to suit the holiday du Turkey. I thought the nursery rhymes would make a great post so I set out to find out what these songs were and who sang them. After a couple of days of searching, I came to find that they are part of an educational packet that was available to teachers back in the late 70s and early 80s entitled "Thanksgiving Songs To Tickle Your Funny Bone". It's a nice piece of holiday music to help you prep your turkey and trimmings. BTW, I was interested to find that there are a lot of religious songs associated with Thanksgiving. I never considered it to be a religious holiday. Apparently some people do. Anyway, here is "Thanksgiving Songs To Tickle Your Funny Bone". Enjoy!

Thanksgiving Songs To Tickle Your Funny Bone

File: mp3@320K/s
Size: 116.9 MB
Time: 51:04
Released: 2006
Label: Edina
Styles: Contemporary vocal jazz
Art: Front

(2:27) 1. C'est Magnifique
(3:07) 2. Whatever Lola Wants
(4:24) 3. Is That All There Is ?
(3:35) 4. Love For Sale
(3:48) 5. I'm In The Mood For Love
(3:36) 6. My Baby Just Cares For Me
(2:53) 7. Si La Photo Est Bonne
(3:03) 8. Johnny
(3:20) 9. Bambino
(3:16) 10. Senza Fine
(2:34) 11. Kiss My Honey Kiss Me
(4:18) 12. Déshabillez-Moi
(2:52) 13. Johnny (Live)
(4:11) 14. Queen Of Chinatown (Version 2006)
(3:33) 15. Tomorrow (Version 2006)

thank you stella.
With Love

File: mp3@VBR ~197K/s
Size: 53.9 MB
Time: 37:40
Released: 1978, CD in 1999
Label: Original Jazz Classics
Styles: Bop
Art: Front

(6:38) 1. Ain't Misbehavin'
(6:20) 2. Lounging At The Waldorf
(5:41) 3. Mean To Me
(4:28) 4. The Joint Is Jumpin'
(6:04) 5. Honeysuckle Rose
(8:27) 6. Squeeze Me

Ain't Misbehavin'